Megamind isn’t going to win any awards for best picture, and it shouldn’t by any means. It isn’t a culturally significant film, it doesn’t change the way people look at the world, it doesn’t examine society in a way that sheds some light onto new truths, and it doesn’t have visuals set to inspire a new generation of filmmakers. But it is an incredibly pleasant film that has led to one of my more joyful film-watching experiences in a while.
I’ve always blasted people for liking stupid movies. When someone tells me that their favorite movie is something where the attractive but overworked girl ends up getting the nerdy but charismatic guy, or the popular guy gets the nerdy but secretly hot because she’s a Hollywood actress girl, I usually insult their intelligence. But sometimes the people making an easy-to-watch, little-thought-needed film get it right, which is the case with Megamind.